Papa Don't Preach The Musical w/ DJ Wes Wunder

[00:00:35] Speaker A: Ladies and gentlemen, boys and girls, welcome back to another episode of Papa Don't Preach. You got Bennett back in the studio. Mr. Miller, how are you? [00:00:42] Speaker B: I'm doing okay. Well, although right before I got here, I was playing with my older guy, Miles. I was laying down and yawning, and he double knee me right on my stomach and I knocked the wind out of me, so that's always a five. That hasn't happened since, like, playing rugby in college. Next instance is my four year old double kneeing me in the stomach. [00:01:01] Speaker A: I was wondering why you were late. [00:01:03] Speaker B: Yeah, catching my breath. [00:01:04] Speaker A: You kept our guests waiting. For those of you who are watching us, you might have noticed I got a very handsome man to my left, stage right. His name's Wes Morris. Or wonder. Which one are we going with? [00:01:13] Speaker C: We're going to have to cut Morris out of that. I don't get my government name out to anybody. [00:01:17] Speaker A: Gotcha. All right, we'll cut that out. We'll cut that out. That's Wes wonder, ladies and gentlemen, sitting in here, CEO of Wonderland Events. [00:01:27] Speaker C: Yeah, co founder, director. We haven't quite settled on a title, but the events Entertainment Company is on and popping in Washington. [00:01:36] Speaker A: Ah, yes. You bet. You're in Seattle now. We miss you here. We miss you here. Yeah, I miss it, too. We miss you here. You got a little guy, right? [00:01:44] Speaker C: I got a little guy, DJ. He's four years old. He loves a good need of the sack. [00:01:49] Speaker B: Just like he knows that move. [00:01:52] Speaker C: Yeah, he knows that move. He's perfected it. [00:01:54] Speaker A: Well, I'd like to welcome you here to Papa don't preach. Thanks for joining us. How you been? How has Seattle been? How's being back in LA? [00:02:01] Speaker C: Being back in LA is always great. Seattle has been wonderful to us, but it is now the wintertime and it's time to get the hell out of there. [00:02:09] Speaker A: So here we are. [00:02:11] Speaker C: Just got here a few days ago, and this is my first podcast. Thanks for having me on my. [00:02:18] Speaker A: Oh, really? [00:02:18] Speaker C: Yeah, this is great. This is cool, what you guys have going on here. [00:02:21] Speaker A: I thought that you're like, Mr. Popular on. You do events and you do all this stuff. [00:02:26] Speaker C: No, you know what people don't know about me is I have massive, debilitating social anxiety. [00:02:31] Speaker A: No, I knew that about you. I've got one already on the podcast. Hey, how's it going? All right. [00:02:38] Speaker C: So, kindred spirits, I think that was one of the motivating factors that kept me in the event entertainment business, because I kind of have no choice but to integrate and be with the people, and I kind of dig that. [00:02:51] Speaker A: Okay. [00:02:52] Speaker B: Yeah, I understand that a lot. [00:02:53] Speaker A: You should try being a DJ. You don't have to talk to anyone. [00:02:55] Speaker B: It's like a aspect of it that's great. I'll just pretend. I'll put a playlist on and just act. What's your background? How do you know each other? [00:03:05] Speaker A: Oh, this is interesting. All right, so back when I was a little whippersnapper, I was looking to make some extra cash. I think I was, like, 1920. And you were younger than that? Well, I think enough time has passed. I lied on my first job application when they wanted to pay under the table. So the first year I worked for heart to heart, I said I was 18, but I was actually 17. Nice. And I worked at this party enhancement company. Is that what we call it? Yeah, we can. Have you ever been to Sweet 16 or bar mits for a wedding? And there's, like, people at the reception, like, pulling you to the dance floor and, like, an MC. [00:03:46] Speaker B: Oh, yes, I have seen that happen. [00:03:48] Speaker A: Yeah. See that girl? Yes, I was one of those people. [00:03:52] Speaker B: Oh, yeah, you do warm up stuff now. I see it. I see it. [00:03:56] Speaker A: So I worked for that company, and that's where I met Wes and a lot of my friends from the entertainment industry. Your future wife. I met her there as well, I guess. Your current wife, but it was your future wife back then. But yes, that's how we know each other. We used to party professionally with 13 year olds. Okay, we'll cut that one out every weekend. [00:04:27] Speaker B: What was, like, the big track show we're spinning back then? [00:04:30] Speaker A: Do you remember Red Alert? Do you remember that song Red Alert? [00:04:33] Speaker C: A whole choreography to that one. [00:04:37] Speaker A: So we'll talk about a little later, because when we get into it, like, we're talking about music a little bit later, and I'll tell you a story about why. Okay. That song, it's just triggering. Yeah, but, yeah, I remember it was back in the time where you couldn't do a party without hearing Black Eyed peas. [00:04:58] Speaker B: Let's get it started. Or let's get retarded. Which one started? [00:05:01] Speaker A: Let's get it started. I got a feeling all of them, they did with Bieber. It's like somebody from the Jewish community sat down with Will I am and was like, do you want to have a banger at every bar mitzvah for the rest of time? And they're like, yeah, let's make an album just for that. Because that was just what it was. [00:05:25] Speaker B: They ruled the world for a couple of years, dude. [00:05:27] Speaker A: They were the biggest things out there. I remember it was Black Eyed Peas, pit Bull, and Pit Bull was Pit Bull. He wasn't like Mr. 305 just yet. He was Pit bull, right? It was Pit bull. He started wearing suits, like, a couple of years after that. But who else was big back then? [00:05:45] Speaker C: Flow Rider. [00:05:46] Speaker A: Flow Rider. [00:05:47] Speaker B: Oh, my. [00:05:47] Speaker A: Florida. Which I found out at a very late age. Embarrassing. Florida. Yeah, the Florida. The Florida. Does he have an original song? They're all covers, aren't they? Low. [00:05:59] Speaker C: No. Low. That track was 2007. I was just looking at it. [00:06:03] Speaker B: It's like, whoa. [00:06:04] Speaker A: Yeah. 2016. [00:06:06] Speaker C: Years ago. [00:06:08] Speaker B: Yikes. [00:06:08] Speaker A: Yeah. My back. Dessert. Do you remember what type of song, man? Do you remember what type of music you listened to in 2007? [00:06:15] Speaker B: Like, if you think back 2007, I was probably still in my jammy band phase around that time. [00:06:21] Speaker A: Fish. Got it. Yeah. [00:06:23] Speaker B: Still fishing it up into the gorge. I think that was right where I got here, was like, 2007, 2008. So then I started listening to art school rock when I went to art school. So, like, lots of loud sounds and stuff that I remember Nat, we first started dating, she was like, all right, I'm going to start listening to some of his music. And you put the first record on and just like, okay, maybe not this record. Skip this one. [00:06:50] Speaker A: Oh, man. All right. Well, today, guys, we got a DJ in the house, a friend of the pod, and Bennett, big music lover. I'm a music. I wouldn't say fanatic, but we're going to be talking about music in our kids. BUt first, a couple of things that have been happening. I wanted to ask you a question that was brought up, and I don't know if it went viral, but for $2,000, would you watch ten? Was it 1012 Hallmark movies? Twelve Hallmark movies in one sitting. [00:07:21] Speaker C: Okay, so we're talking like 90 minutes movies. They're generally, like the same amount of time. [00:07:24] Speaker B: Yeah, that'd be the first question. [00:07:27] Speaker A: Yeah. [00:07:28] Speaker B: Well, the thing is, it'd be the first twelve ever Hallmark movies I've seen. Thank God my wife is not one of those Hallmark people where I have to watch them every season, but. [00:07:36] Speaker A: Oh, no. [00:07:37] Speaker B: I mean 2000. I think the biggest question is, do I have to leave my home to do this? [00:07:44] Speaker A: That's a great question. Yes, I believe that you have to go, no deal. [00:07:51] Speaker B: No deal. Because ultimately you're going to watch the same movie twelve times. That's the deal, is they kind of crank them out, like, very formulaic. [00:07:58] Speaker C: But, you know, my Aunt Gina, she's really into Hallmark movies, but she's introduced me to Black Hallmark. Did you know there was a black Hallmark? [00:08:04] Speaker A: Tyler Perry, he makes. Well, you're kind of on the right track. I didn't know there was Black Hallmark. [00:08:10] Speaker C: There's Black Hallmark. Absolutely. [00:08:11] Speaker A: Is it called something crazy? Is it called Know? [00:08:14] Speaker C: I've never stuck around long enough to. [00:08:16] Speaker A: Learn okay, much, but Black Hallmark. [00:08:20] Speaker C: There is that. [00:08:20] Speaker A: God damn. Do you remember any of the names of these black Hallmark movies? [00:08:27] Speaker C: I would only be making it up and probably offend, like, half. [00:08:31] Speaker A: Do we have a black Hallmark movie here? [00:08:33] Speaker B: This is the list of the movies. So we've got most wonderful time of the year, Crown for Christmas, Nine Lives of Christmas. That's probably a cat one, right? [00:08:41] Speaker A: Yeah. [00:08:42] Speaker B: Journey back to Christmas. Ghost of Christmas movie. Ghost of Christmas always is. Fucking terrible. [00:08:47] Speaker A: Name. The next one is Ghost of Christmas Always. [00:08:52] Speaker B: Ghost of Christmas always. Not like future, past, or present. [00:08:54] Speaker A: No, just always there. [00:08:56] Speaker B: Three wise men and a baby. Okay, that sounds like a Simpsons joke. Yeah, it does sound like a real. [00:09:01] Speaker A: Three wise men and a baby sound like a sitcom pitched in a show. [00:09:04] Speaker B: ANd one, that one's just called North Pole, which is clearly a porno. A porno. [00:09:07] Speaker A: Yeah. [00:09:08] Speaker B: Porn parody. [00:09:09] Speaker A: Yeah. And then there's the Christmas train. Ooh. That also is a porn. That's also a porn. Wow. That's a freaky shit. Now, I don't know why I thought about this, but did you guys ever see the original? The. Like, it was a horror flick. Not the one with Michael Keaton. [00:09:27] Speaker B: I remember from one of our local VHS shops back home. It's like they had all those. They had, like, the ice cream man. Remember that? Yes, but Jack Frost had the holographic cover. It was a regular snowman, and you tilted the other way, and it's like a scary. [00:09:43] Speaker A: Never. [00:09:43] Speaker C: No, never. [00:09:44] Speaker A: So Jack Frost was originally a horror flick that they remade into a kids movie? [00:09:48] Speaker B: I don't think they remade. I think it's just like. They just use the name, which is still horrifying. It's about a dad that gets trapped to a snowman's body. Well, that's the Michael Keaton one. He plays in a band. He gets dies, and then he puts into a snowman body. [00:10:02] Speaker A: Yes, but I don't know the plot. [00:10:03] Speaker B: Of the real Jack Frost. [00:10:04] Speaker A: The real Jack Frost. What ends up happening. There it is. [00:10:06] Speaker B: It's scary. [00:10:07] Speaker A: What ends up happening is that a convict is being transferred and the car crashes and he dies. But, like, nuclear movie. Yeah. This is not the mean. [00:10:19] Speaker B: It's the same plot, though. [00:10:20] Speaker A: Yeah. So nuclear juice from the accident and his blood mixed together and he ends up reanimating as a snowman and going on this killing spree. [00:10:29] Speaker B: And Chucky meets Christmas. [00:10:32] Speaker A: At one point, he rapes a woman. Wow. Like, as a snowman, aside from the. [00:10:37] Speaker C: Rape, this is what today's youth are missing. [00:10:40] Speaker A: Oh, yeah. They don't make shit like this anymore. No, they don't make shit like, what was. We were talking about movies that fucking terrified me. But my buddy sent me a meme from Goosebumps, like the intro to Goosebumps and his comment, because exactly how I felt. I was watching it, and I didn't see his comments under it. I was watching the intro to Goosebumps from the was like, oh, man, this is lame. And I read his comment, and he's like, I feel like such a pussy now that I'm watching this as an adult. [00:11:13] Speaker B: And I was like, oh, although, are you afraid of the dark? [00:11:20] Speaker A: I meant, are you afraid of the dark? It's actually the one I was talking. [00:11:22] Speaker B: Are you afraid of the dark is still scary to me. The creaking swings, but, like, the clown. [00:11:26] Speaker A: And the kids laughing. Yeah. Empty skateboard. Yes. Okay. I'm sorry. [00:11:31] Speaker B: I've not matured in 35 years. [00:11:36] Speaker A: Yeah. You know what it is? I think my crippling debt is my horror flick that I'm living. I think that's what it is. [00:11:43] Speaker B: It's real life horrors. [00:11:44] Speaker A: Yeah, that's real life horrors right there. No 401K. Anyway, you're still on the 401K thing. [00:11:50] Speaker C: Don't worry about that, man. [00:11:53] Speaker A: What I heard about 401 not okay. That was, like, the best pun I've ever heard. I don't even want to deliver the joke over again. I was just listening to a financial advisor, and he goes, four hundred and one K. More like 401 not okay. And I was like, hey, that's. Yeah, it's very funny because that's the only thing I remember from his teaching. It didn't go that well, but yes. Anyway, there was another story that we wanted to talk about. We talked about it earlier. I don't know if you heard about this. In Australia, there was a woman who made these death cap mushrooms into a beef Wellington and killed, I believe, her husband. [00:12:31] Speaker B: Three out of four people, track record. I mean, you know, bad, but I mean, yeah, there's points as advertised. Yeah, death caps. [00:12:38] Speaker A: There's this whole thing, like, people were. They felt bad for, like, oh, my God. Imagine losing your whole family and then being like, you know, this isn't America. This is in Australia. Cops don't just be like, we're going to arrest you because four people died around you. There has to be a reason. And it turns out this bitch has been at it for a while. [00:12:56] Speaker B: She's been trying to perfect the recipe. [00:12:58] Speaker A: Yeah. [00:12:59] Speaker B: Gordon Rams in her death Wellington. [00:13:01] Speaker A: Yeah, this is her death Wellington. Apparently, she had, like, an ex husband that was invited to the dinner, and he was like, no, I'm not going. [00:13:08] Speaker B: I know this game. [00:13:09] Speaker A: I just got out of the hospital. She hospitalized him three times before. [00:13:14] Speaker B: Oh, wow. So send her ex to the. I'm guessing the third time was like, you know what? I think I'm done here. [00:13:20] Speaker A: Wait a minute. Blink. [00:13:21] Speaker C: Can you look up the woman in Mexico City? [00:13:23] Speaker A: Or I think, what happened? [00:13:27] Speaker C: The Taco Killer. [00:13:28] Speaker A: There's a woman called the Taco Killer in Mexico City. [00:13:30] Speaker C: That's the name I've given her, but it was something similar and literally did the best. The same thing with poisoning tacos, selling them in the streets, and, like, is that. It's completely different, but, like, a total copycat. [00:13:46] Speaker A: Who copied who? [00:13:47] Speaker C: I don't know, but. [00:13:47] Speaker A: Oh, shit. Well, I would say that. [00:13:52] Speaker B: Watch what you eat, boys. [00:13:53] Speaker A: Yeah, I realize that. That's, like, such an easy way to die, because I don't even think anything's up. Somebody hands me something, I eat it. Yeah. [00:14:01] Speaker B: Especially if it's a beef Wellington. I'm definitely going to eat it. [00:14:06] Speaker A: Jam. Fuck. Now I'm, like, scared. [00:14:09] Speaker B: Yeah, I think she had a couple of bites to make it seem real. She's like, oh, my tummy hurts. Yeah, everyone's dropping dead. [00:14:16] Speaker A: She did say that she ate a little bit of it, and I'm like. [00:14:19] Speaker C: Did they end up nailing this Australian? [00:14:21] Speaker A: Oh, yeah, they ended up getting her. She was charged with murder, like, yesterday. Good for her. Charged with murder yesterday. [00:14:29] Speaker B: Like, dude, I've been watching a bad day, mate. I'm glad I went with that one. [00:14:35] Speaker A: Yeah, I got it. I got it. [00:14:37] Speaker B: Thank you. [00:14:39] Speaker C: Nicely done. [00:14:39] Speaker B: Nicely done. [00:14:41] Speaker A: Looks like there was Wellington's on the bus. Okay, never mind. Okay, you know what? I took it one step too far. You're not at home. But when I get nervous about a bad joke, I put out my Trump arms. The Trump arms go out. [00:14:54] Speaker B: Wow. [00:14:55] Speaker A: Yeah. I was just like, okay, listen here. I made a bad joke. The Trump arms go out. That's like, oh, we made a bad joke. And he's trying to cover it. [00:15:01] Speaker C: Did a bad. [00:15:02] Speaker A: Yo, so speaking of, like, I hate the fact that he sucks because he is fucking hilarious. [00:15:10] Speaker B: He could be. Is established. Meatball Ron, I think, is a hilarious nickname. He didn't stick with it. Unfortunately, now it's Ron because it was sanctimonious. [00:15:19] Speaker A: It didn't. It wasn't his idea. Yeah, that Sucks. [00:15:21] Speaker B: Sucks. Meatball Ron's great every time you say it. [00:15:25] Speaker A: Meatball Ron, he a dude used to. [00:15:28] Speaker B: Work in the know. [00:15:30] Speaker A: Danny. [00:15:30] Speaker B: Meatball Ron, that's the guy was doing whippets before his shift. [00:15:34] Speaker A: That's the guy who poops himself in school, that he was eating a meatball sub that day. So everyone just calls it Meatball Ron. It never leaves. Oh, man. But he had a speech the other day and he was talking about getting indicted. He's. I've been know. He says it all funny, but he's like, there's a guy, Al Capone, Scarface had a scar from here to here, points his Archie chin. He's like, he didn't get that scar by playing tiddly winks. No, he didn't. I was like, tiddly Winks. This guy's amazing. [00:16:04] Speaker C: He's literally our most amazing president. It's sad that he sucks so much. [00:16:09] Speaker A: It sucks. It sucks. He didn't get that way. Plain tiddly winks. That was not on the prompter. [00:16:17] Speaker C: They've stopped using the prompter at this point. [00:16:19] Speaker A: Oh, yeah. I think that's just up there for show, right here it is. But anyway. Yes. World is fun. Things are going great, but yeah. Wes, I hope you can stick around with us. We're going to talk music in our next segment. Cool. But before we get there, I forgot to mention this. [00:16:39] Speaker B: Play them on the brakes of the segue. [00:16:41] Speaker A: Have you heard Andre three Thousand's new album? [00:16:46] Speaker B: Yes. [00:16:47] Speaker C: New Blue Sun. [00:16:48] Speaker A: New Blue Sun. [00:16:50] Speaker C: Absolutely. [00:16:51] Speaker B: I've only heard of it. I didn't take the time to listen to it yet. [00:16:54] Speaker A: Would you like to listen to a song now? Yeah. [00:16:56] Speaker B: I'm sure it's a great rap album that everyone's going to enjoy. It's a follow up to all the great outcast music he did back when I was in college. Right. [00:17:05] Speaker A: We're going to listen to one song. Do you got 15 minutes? [00:17:10] Speaker C: One of the quick ones. [00:17:11] Speaker B: Is it like Spotty, Yodi, dope, Alicia? [00:17:15] Speaker A: So here's the issue. You can do whatever you want, make anything that you want, but this guy is literally just playing a bunch of flutes over, like, ambient tracks for 15 minutes. [00:17:28] Speaker B: I appreciate the fucking gall. [00:17:30] Speaker A: It's peaceful. [00:17:31] Speaker C: It's very peaceful. [00:17:32] Speaker A: It's very peaceful. [00:17:33] Speaker C: You can't just drop it in the middle of your normal day to day and expect to be listening to some dope. Andre 3000 you definitely have to be, like, stretching a few muscle groups or trying to fall asleep actively. [00:17:46] Speaker A: Definitely. This is like clean your house in the background or doing dishes or meditating. [00:17:52] Speaker C: I'm going to say this. I feel like there's two camps. There's the one camp that has waited 17 years for an Andre 3000 album and feels completely robbed. [00:18:04] Speaker A: Yeah. [00:18:04] Speaker C: And then there's the other camp, which I think I'm in, where I listen to his interview with Rick Rubin. I listen to his GQ and just talk about his whole journey and where he is right now. And in the nicest way possible, he's basically saying, like, man, fuck you. I don't care if you think you deserve an album for me. I don't want to do one. And this is what I'm doing, and. [00:18:28] Speaker A: I kind of got to respect that. [00:18:30] Speaker B: Yeah, it's the artist. Artist, for sure. [00:18:31] Speaker A: Yeah. I can't stay mad at that. But I'm also allowed to say fuck you, too. You are in your rights. And that's the thing, too. I don't have to listen to it, but Andre 2000 could tell me to go fuck myself. I'm still going to go listen to his shit. Yeah, he's pretty goddamn good. [00:18:48] Speaker B: Can you play sample queued up? [00:18:50] Speaker A: I can get a sample queued up for you right now. Nice. We're going to have to cut a lot of this out since we don't have the rights to this. But I don't know if you can have the rights to empty wind sounds. The problem, too, is the names of his songs fucking frustrate me. The name of his song is like when the girl roommate you has has a terrible boyfriend that's playing at the cafe and you have to go with her. [00:19:23] Speaker B: That invokes a mood. [00:19:24] Speaker A: Yeah. [00:19:24] Speaker C: Titles a story. [00:19:25] Speaker A: Absolutely. Which one? [00:19:29] Speaker C: Well, a great song title is the word Pussy rolls off the lips. Rolls off the tongue. So much easier than the slang word. [00:19:36] Speaker A: Yeah. So the slang word for pussy rolls off the tongue with. There you go. With finesse. A lot easier than the word vagina. That's the name of the song I'm going to play for you. All right. Okay. [00:19:48] Speaker B: Yeah. [00:19:48] Speaker A: Okay. Now, as you listen to the sweet sounds of Andre 3000, remember this song is that pussy rolls off the tongue far better than the word vagina. Ladies and gentlemen, we'll be back with more Papa don't preach. [00:20:13] Speaker B: Where's the flute? [00:20:15] Speaker A: Well, no, but. And we're back. [00:20:36] Speaker B: We're back. [00:20:36] Speaker A: Yes. I'm not falling over. Don't worry. Everything's okay. So, ladies and gentlemen, welcome back to popping on Preach. We're still here with DJ West Wonder and Mr. Bennett Miller. So today we're talking about music in our kids. A few weeks ago, we had a speech pathologist here, and one of the things that she mentioned is that songs like remembering music takes two sides of the brain. Sorry. Here, music helps develop newer pathways, and memorizing songs requires both sides of your braids working together. Left brain, right brain working together. [00:21:14] Speaker B: Apparently very different creative side. [00:21:18] Speaker A: And the memorization side, the number side. [00:21:21] Speaker B: The word side, clearly. [00:21:23] Speaker A: So one side is creative and the other side is numbers. [00:21:27] Speaker B: Analytical. [00:21:28] Speaker A: Yeah. [00:21:28] Speaker C: I think it's logic and creativity. [00:21:30] Speaker A: Look at us brain guys. Look at us brain guys. [00:21:33] Speaker B: A big brain on brain, but having. [00:21:37] Speaker A: A DJ on right now, somebody whose life is literally music, I think it'd be a nice way to find out what kind of songs your kids are listening to, what songs you're listening to. If you have any advice on what songs we should be forcing down our kids. [00:21:52] Speaker C: Forcing down our kids throats, I think we're lucky this day and age with what we can play for our guess. [00:22:01] Speaker A: Like, I think there's a lot of. [00:22:02] Speaker C: Artists making dope music. The artists that you wouldn't expect. [00:22:04] Speaker A: Well, we definitely have reach of more music now. I remember when I was a kid, I got, like, my Atlanta cousins that came over. I was like, in 4th, 5th grade, and I had these Atlanta cousins come over and like, yo, you ever heard of the locks? Right? You ever heard of Locks? And I was like, no. And I felt like such an idiot. And like, you haven't heard of about. How about see Murda? I'm like, what? See who? I just felt like, yeah, I felt like a dweeb. Because they knew all this Southern rap that blew up. The next year, it took over everywhere. Juvenile ended up coming up, but now we get music anywhere. [00:22:44] Speaker B: It's true. [00:22:46] Speaker A: What was some of Bennett for you? Do you remember artists that you were excited when you were smaller? Like, oh, my God, this person has a new that you freaked out about. [00:23:00] Speaker B: My first real album I bought was Beck Odele. So that tells me how late I was listening to. I literally had, like, kermit Unplugged. My parents were music people. They had records and eight tracks. And I remember listening to Paul Simon and from Louisiana. So groups like Buckwheat, Zottico. Zottico music and stuff. So it's like all dancing music and that stuff really resonates strong in my memory still. Yeah, we're a music house. I got a bunch of records for dinner, we try not to watch TV. We put music on, and also it just lowers the noise in the house. It's like, so we don't have, like, a fucking cartoon going and the kids going crazy to put on Stevie Wonder and tell them to shut up. [00:23:45] Speaker C: I don't know how much screen time your kids get, but do they ever have an opinion about music being played versus cartoons and shows that they like? Do they ever have a complaint. [00:23:59] Speaker B: If the TV is on, it's usually, like, for them because they don't want to watch, like, murder shows. [00:24:07] Speaker A: Turns out, and this tonight in true crime. [00:24:11] Speaker B: Early on, I love pro wrestling, so early on, I put wrestling on, and then Miles would be like, ooh, that's a timeout. A lot of timeouts coming. DDT is a timeout for, well, because. [00:24:22] Speaker C: Yeah, he gets his shows on the TV screen, but then our Spotify also gets played. And during dinner, we like to play music instead of the cartoon Blinkety bleep. And it just crushes me, especially as a DJ, because if he sees the TV pop on and it's not bluey or something right away, but it's actually like, good dinner music. [00:24:41] Speaker A: He's like, music disgusting. [00:24:48] Speaker C: I'm like, no, those words cannot come out of your mouth. [00:24:51] Speaker A: Yeah. I thought it would be easier just to indoctrinate my kid into the music I like, right? So I'd, like, always have the same songs. I grew up playing. A little bit of Jackson five, Earth, Wind and Fire. I'd throw on some pock Just because some old busta rhymes. I remember speaking of Andre D thousand bombs over Baghdad. I used to play, and it was just loud music. And when Oza was younger, he would dance to anything I was dancing to, but it was mostly just mimic behavior. He's like, this guy's moving and I just hear noise. I'm going to do this because he's smiling. Now I'm smiling, and that's it. And now he listens to garbage songs. It's a phase. [00:25:35] Speaker B: Yeah, we try to avoid your cocoa melons and stuff. We try to really narrow the kids songs in our house because they're irritating as shit. Most of them are terrible. [00:25:45] Speaker A: Wait till we try to, bro. Wait till it goes. I thought I was done with that shit. And then he comes home and this hilarious, I think I was telling you last week, trying to figure out that he meant the cha cha slide, the Chacha real smooth. And I didn't mind it until Cha cha Slide is seven minutes long. It's not a short song. And there's only so many times you can listen to it. [00:26:10] Speaker B: Yeah, you take it back. [00:26:11] Speaker A: Take it back. Now. You all two times this time. But there are songs that I liked growing up. I remember I was spinning a party that I think you connected me with. It was a kids party in the park. I was dJing this little event in the park, and I remember this little I put on Pyt. And mind you, this is almost ten years ago. And so when I put this on PYT, pretty young thing by Michael Jackson, this girl, who had to be, like, ten, walked up to me. He's like, do you have anything that's not old school? And I was like, wow. [00:26:50] Speaker B: No, I don't. [00:26:51] Speaker A: I didn't call her a cunt, but I thought about it. [00:26:54] Speaker C: You got to respect the game, though, that she not only knows the song, but knows that it's old school, that it's too old school for her ten year old. [00:27:02] Speaker A: Yeah. I realized that when she said that. I was like, what the. I can't believe. And I'm like, oh, this album is 30 years old. [00:27:10] Speaker C: It's tough doing kids parties. I did a kids party a couple of weeks ago, and we put out the request list because you can't have them, like, jumping behind the DJ booth with all their Sticky ass fingers. [00:27:22] Speaker B: Sticky ass fingers and shitty ass opinions. [00:27:26] Speaker C: And by the end of the night, I had a page full of the most atrocious, just God awful music. And I was trying to pick through to make them happy and play some stuff. There was some ice spice in there. I dropped some of that little Uzi vert, got hype or whatever, okay. But some of the kids that didn't hear their music, because eventually, I'm not playing that shit. They want to come back and have an opinion about it. And so I tried. I was like, wes, be cool, man. Be cool. [00:27:58] Speaker A: Breathe. [00:27:58] Speaker C: Don't take their kids. Don't take their playlist and crumple it up and throw them at their head. Don't crumple it up and throw it at their head. And I did. [00:28:07] Speaker B: That's a lot you got to learn. The DJs don't take requests. The DJ is here to perform. [00:28:12] Speaker C: I try to. [00:28:14] Speaker A: I've been seeing this thing on the IGs and the Twits, the Twitters, they're pushing it real hard, and I don't know if it's my algorithm, why they're shoving it in my face, but that DJ request QR code playlist app that they have now, I've seen that, and they have this commercial. And it's like, as somebody who's been behind turntables before, it's the most unrealistic interaction, but it is a black DJ sitting there, and a black guy comes up with, like, finger guns. Was like, hey. Tries to talk. And the DJ pulls one thing off and just points at the QR code, and it focuses on, like, here. This is a good way. I'm like, that interaction doesn't go that way. [00:28:54] Speaker B: Yeah, that has never happened. [00:28:55] Speaker A: The one thing you learn behind turntables is pretending to look through people. [00:29:00] Speaker B: Somebody will be in front of you, like, hey, you're just like, hey, this thing's going. This train is rolling, and it's not stopping. [00:29:09] Speaker A: I figure I'd see you this one, right? Hold on, hold on. I'm going to press this button and go, beep, bop, boop. Not doing anything. And hope you lose interest. Yeah. [00:29:18] Speaker C: Generally, I give them, like, the three year old clap to the face. Like, you distract them with a loud sound. [00:29:24] Speaker A: They're like, oh, I want to hear. Blah, blah, blah. [00:29:26] Speaker C: Worst song Ever. And I'm like, dope. [00:29:28] Speaker A: I love that. [00:29:30] Speaker C: They're like, I think he's going to play it. And they walk away. [00:29:33] Speaker A: That's the greatest thing, is watching someone leave after. They're like, can you play some Lana Del Rey? And I'm like, hell, yeah, of course. And you see them leaving the party hours later, like, giving you a stink eye. I'm like, oh, did I forget your song? [00:29:45] Speaker B: You're probably the bathroom. I did it. [00:29:48] Speaker A: That was it. Do you guys remember? I remember. Speaking of what, Amy? Our speech. Amy Wilhelm, insert that scream. Wilhelm. Wilhelm, insert the scream. One thing that she did mention is that there's songs that we've listened to growing up that are just stuck in our memories forever. And I don't know what it was, but the producers in the 90s had no chill. Zero chill. They were just pumping out bangers. Do you guys remember if I say this, I want to see if you guys can finish it. Okay, Ducktales. [00:30:35] Speaker C: I was late for school for that show. [00:30:36] Speaker B: Yeah, every four school show for sure. [00:30:39] Speaker A: How about this one? Dock, wing. Duck. [00:30:41] Speaker B: Yeah, let's get dangerous. [00:30:43] Speaker A: Get dangerous. Doc, wing. I can't sing the whole thing. [00:30:47] Speaker B: Speaking of indoctrinating our kids, I've been trying to get them to watch, like, we watched the Ninja Turtles movie, so we started watching them. Making them. Not making, but we watched. Sit down and watch. You're going to watch Ninja Turtles cartoons. So we started watching that. And then also Randy Savage voice. [00:31:08] Speaker A: That's all right. Got the Ghostbusters. [00:31:10] Speaker B: So we've been watching. That was more Cosby than Savage. [00:31:14] Speaker A: Oh, thank Wes is here. Let's hear your Cosby again. [00:31:22] Speaker B: I don't. For the record, I don't have a Cosby. [00:31:24] Speaker A: Okay. Yeah, we learned that. We learned that on this podcast. It's very funny. [00:31:27] Speaker B: But no, like, we've been watching the Ghostbusters cartoons. The original the Real Ghostbusters that is on YouTube's. So we've been watching those, and both kids have been caught catching him singing the Ghostbusters song to the. Yeah, it's pretty rad. [00:31:41] Speaker A: That's cool. [00:31:42] Speaker C: Yeah, brilliant. [00:31:43] Speaker A: See, another one. Another one. That'sick. But that's Ray Parker Jr. RighT there. That was a banger before it became a cartoon. [00:31:49] Speaker C: That bass line, I want a new. [00:31:52] Speaker B: Drug by Huey Lewis. Ray Parker Jr. Says, hey, let's make a song about Goose. [00:31:58] Speaker A: That's very true. What was that other fucking goof troop? Do you guys remember Swirlap Dapp and do rap? Yeah. Wow. Yeah, that scat. That's the end of the song. That's how there's always together. So the goose troops. All these shows growing up, I haven't seen any of these things in decades. [00:32:20] Speaker B: Now they're just literally. Yeah, I knew what came next. Goop troops. Since I was in single digits. [00:32:27] Speaker A: Yeah. The music is so important for kids. And when you think about how we end up, like how edge, like academics, approaches, teaching kids thing, it's always through song. So, like, memorizing things and putting them into your brain and having those things bounce back and forth between left and right, it's a very effective way. And I'm wondering if there's other ways to use songs in your everyday life, like cleaning your room or doing the dishes. [00:32:56] Speaker B: Well, there's the cleanup. [00:32:57] Speaker C: Cleanup song. [00:32:57] Speaker B: Yeah. Clean up. [00:32:59] Speaker A: Clean up, everybody. [00:33:01] Speaker B: It's like a variation of that, but, yeah, it's like embedded. They do it at daycare. [00:33:05] Speaker A: What? I've never heard of the song. [00:33:06] Speaker B: Yeah, the cleanup song is like. It's like Manchurian candidate for the kids. [00:33:11] Speaker A: Oh, damn. [00:33:11] Speaker C: Straight up. [00:33:12] Speaker B: It activates them. [00:33:13] Speaker A: Oh, shit. [00:33:14] Speaker B: Everybody do your share. Clean up. Something like that. [00:33:18] Speaker A: My mom just had, like, that belt whip sound. [00:33:21] Speaker C: That'll do it. [00:33:22] Speaker A: That'll puck your butthole up. 3 seconds of force. [00:33:28] Speaker B: In a box. [00:33:29] Speaker A: Yeah, that's one of those. Yeah. Cleanup song is. I've never heard of that. I'm going to go check it out. [00:33:38] Speaker C: The alphabet. Dylan's Filipino, so he's very heavy into karaoke now. Not by can't help it. No, it's literally not by choice. Karaoke force fed to him from an early age. But his song is the alphabet song. You got to look it up and give it to him. And he delivers, man, he rocks it. [00:33:59] Speaker A: That's great. [00:34:00] Speaker C: But I will say that his alphabets and his understanding of letters, I can literally tell him, like, okay, now do it backwards. And he'll Tell me his alphabet backwards. He'll do it sideways, he'll flip it, he'll rub it down. [00:34:16] Speaker A: He's an alphabet G. Goddamn. Yeah. I can't even do my alphabets backwards. [00:34:23] Speaker B: I cheat because we have a poster on our wall, so I'll do it backwards. And her nanny was over one day. She's like, wow, that's really impressive. Like now I'm just looking out of the wall. Stretch my back medicine, like big exercise ball. They want to bounce on it. I'll do the alphabet forwards and backwards and. All right, next kid, get out of here. [00:34:43] Speaker A: Gotcha. Oh, man. So I know that my kid, I found out what music he actually likes and I found out. This is very funny, but have you ever been to Hmart? Do you know what Hmart is? Do you know what Hmart is? [00:34:58] Speaker B: I don't think so. [00:34:59] Speaker A: Hmart is like the. It's like the rouse for Koreatown. It's like the little store. It's called Hmart. It's fantastic. If you haven't been, go to a galleria, get in there. It's amazing. But I didn't notice it. But Ozo always comes there with me and he's always like dancing in his chair. And then one day I was just like, he's sitting there and he's like just moving his shoulders and moving on. And I was like, whoa, you like this song? He's like, yeah. So I Shazammed it and I have a whole kpop list now. And yo, man, these guys know what they're doing. They know what they're doing. Every song is catchy. I've said it on this podcast before. I got a boy named Frenchie overseas right now. We spent a whole night going through the disagree of like, I'm telling you. [00:35:46] Speaker C: Wait, he has a discography? [00:35:48] Speaker A: Oh my God, really? Are you serious? [00:35:49] Speaker B: He rolls deep, bro. [00:35:51] Speaker A: He's hangover with Snoop. New face. [00:35:53] Speaker C: That's right. He did have a Snoop song. [00:35:55] Speaker A: He's got a song called New Face that's also incredible. I love it as another amazing song. I'm telling you, this guy has nothing but bangers. Okay. Sigh. Everyone just go home. [00:36:08] Speaker C: Psy look it up. [00:36:09] Speaker A: Psy, go home. Banger after Banger after Banger. It would be a disservice to call him the Korean Pit bull. He is fantastic. [00:36:18] Speaker C: You're saying he's better than Pitbull? [00:36:20] Speaker A: I think he would be better than pitbull. [00:36:21] Speaker B: Wow. [00:36:22] Speaker A: I think so. He would be better than Pitbull. Do you have any songs that your kids are, like, jumping over? [00:36:31] Speaker C: It's Paw Patrol. It's all day long. Yeah. The opening theme. The variations on the theme. [00:36:39] Speaker A: The Adam. Yeah, he's all about it. [00:36:42] Speaker C: Pupp boogie. I wish they would put the entire. Wait, is that soundtrack on? [00:36:48] Speaker A: Who sings that little baby Spiderman Intro? Have you seen the Little Spider man one? [00:36:54] Speaker B: It's like a pop punk. [00:36:55] Speaker A: Like Spiderman. [00:37:02] Speaker B: Sounds like Newfoundland Glory. [00:37:07] Speaker A: It could be. [00:37:08] Speaker C: It wouldn't be the first time. [00:37:10] Speaker A: It's very, like, neighborhood Spider. Like glamour. Who sings that? [00:37:17] Speaker B: Do you know who sings. [00:37:23] Speaker A: Do we know who sings it? [00:37:25] Speaker B: That's the actual song? Yeah, it's fine. [00:37:29] Speaker C: I mean, major artists are doing kids music left and right these days. Killing it. [00:37:34] Speaker A: What's that one? [00:37:36] Speaker B: Spidey, too. [00:37:37] Speaker A: Does it all. No, I know this guy's voice, I think. The guy who sings Death of a bachelor. Fallout Boy. Fallout Boy. [00:37:46] Speaker B: Yeah, it might be Fallout Boy. They're the same thing. [00:37:49] Speaker A: Yeah. I mean, newfound Glory and. Fallout Boy. Tell me you're in your 40s without telling me you're in your forty s. [00:37:56] Speaker B: I think I've told this story before, but, yeah, we got the record, so I listened to the monkeys and the Beatles, Beach Boys and stuff, so. Oh, wow. It is Fallout Boy. That makes so much sense. Fallout boy singing that. [00:38:10] Speaker A: Yeah, it sounded like. [00:38:13] Speaker B: But, I mean, they're still in the Yellow Submarine phase. It's like they know all the words. And I got them the record, and it's like the first track on it. So I told them how I have, like, a start stopper. So for a second, like two weeks straight, it was fucking torture. Because Miles learned how to speed up. So it was like, they love when I was born. Brutal sped up Yellow Submarine. [00:38:39] Speaker A: So, yeah, the kids really like songs that are super fast. They like that, like, chipmunk sound. I don't know why. Well, actually, I do remember that Alvin and the Chipmunk was like, the whole idea was like, they're a pop and there's better voices, and I liked them. [00:38:55] Speaker C: That trend has not changed. It's only blown up more with TikTok. If you look up, like, popular music today on Spotify, there's the regular version and the sped up version right there for you. [00:39:05] Speaker A: Damn. Yeah. [00:39:06] Speaker B: Right now they're into drugs. [00:39:08] Speaker C: You're on. [00:39:09] Speaker B: They might be giants. You may have known them from Titan. You watch Tiny tunes as a kid? [00:39:14] Speaker A: Yeah. [00:39:14] Speaker B: So there's a couple of tiny tunes, segments. One where it was like, particle man. Particle man. They might be giant songs. So they found, like, a little niche. They're like a weirdo college band that found a niche doing kid songs. Eventually there's a song called Dr. Worm, and I learned about it because one of our friends in college, Tyler One, who was cool than Tyler, but Tyler is our older friend, and we've met him in college, and now he became Tyler One, and our old friend became Tyler two and fucking hated it. [00:39:38] Speaker A: So you had a friend named Tyler? Yes. Then you guys met another two. [00:39:41] Speaker C: Wait, original Tyler got Tyler, too? [00:39:44] Speaker A: Yes. [00:39:46] Speaker B: So Tyler One had an electric drum kid, and he just played this song like, they call me Dr. [00:39:50] Speaker A: Worm. [00:39:51] Speaker B: Good morning. How are you? I'm Dr. Worm. He just played like crazy on his drums. So the other day I played it for the kids, and that's all they were like, Dr. Worm here, Dr. Worm. That's it. That's all we listen to, is Dr. Worm and the Sunshine song from they might be giants the last couple of weeks. It's ridiculous. [00:40:07] Speaker A: There's a song that Ozo listens to. I'll play it for you right now. So this is the K pop song I was talking about. And I think it's called pounding. Or I forgot. It's called popping. Anytime you look at the song, you think it says pooping. That first one, like, you look at it, you're like, okay. [00:40:29] Speaker B: Yeah, pooping. [00:40:30] Speaker A: I mean, everybody does it. Yeah. So it's like a catchy. It's catchy. Don't you feel like holding hands and, like, skipping down the street? [00:40:43] Speaker B: My anger dude, mirror. This is his dance move right now. Just throwing bows left and right. [00:40:50] Speaker A: So you hear that? This is the part where Ozo puts his finger up and does, like, the little. So just let everyone know that's a song he's into. And I just. [00:41:03] Speaker B: Your la kids into K pop? [00:41:04] Speaker A: Yeah. Tell me you're from LA without telling me you're from, you know, my mixed race child. They also listens to K pop. [00:41:18] Speaker B: Capital T on that day. [00:41:20] Speaker A: Okay, moving on. Moving now with these catchy songs come. Songs that are so catchy, they're terrible and you never want to hear them again. So you were just mentioning the song that the Dr. Worm. The Dr. Worm. Now, you can still stand that song, right? [00:41:42] Speaker C: For now. [00:41:43] Speaker A: For now. [00:41:44] Speaker B: It was a song I hadn't listened to in so long, and it came on shuffle. I was like, I wonder if the kids will like this? And it's, like, introduced, cracked a little. [00:41:52] Speaker A: Bit of fentany in the kids. Yeah, fentany. All right. Do you have one that you hate? [00:42:01] Speaker C: All right. [00:42:03] Speaker A: Remember, this is a DJ about to tell us what type of song he hates. Go ahead. [00:42:07] Speaker C: This is not a song that I hate. This was a song. I mean, what's the problem with my brain is I get snippets and I get hung up. So, big song. When I was a kid was free fallen. Tom Petty. [00:42:22] Speaker A: Yeah. How old are you? [00:42:24] Speaker B: Pretty old. [00:42:26] Speaker A: You look great. Pretty old. [00:42:30] Speaker C: But I would just snippet it and I would sample it, and I would loop it to the demise of all standing near me. [00:42:37] Speaker A: Okay. [00:42:37] Speaker C: Because I'm free. [00:42:40] Speaker A: And I'm free. Because I'm free. [00:42:43] Speaker C: This would happen. This would happen. And I can't get out of it, man. [00:42:46] Speaker A: I just can't snap out of it. [00:42:48] Speaker C: Until all of my friends would know it's a solo, kid. It's the only child. [00:42:55] Speaker B: Weaponizing Tom Petty. [00:42:56] Speaker A: Weaponizing Tom Petty. [00:42:58] Speaker C: Great song. Free fallen. Brilliant song. [00:43:01] Speaker A: When I like a song, I just like a song. I will say right now, I think a song that we were talking about that makes my hair stand up is this song red alert from our day. [00:43:13] Speaker B: Back in the DJ days. [00:43:14] Speaker A: And it was because it was a song that we had to choreograph to. And you'd be at a party, and you're like, okay, I'm going to drink a water. And then you hear ban. And I'm like, okay, I got to go up in front of this whole party and do this choreographed. You know, sometimes it was like, there were veterans. There were, like, these veterans that you go parties with. Like, Jackie was one of the veterans, and you could put a routine together that's dope and feed off each other. But then you're like, with not veterans or people who really care to be there. And so when you're not putting your all into a dance routine, it looks fucking sloppy. And that song makes my hair stand up. Now, I just remember some of the worst moments of my life sitting up there and, like, it's like a teacher. [00:44:02] Speaker C: Sprung a final on you that you. [00:44:04] Speaker B: Did not. [00:44:07] Speaker C: Study for. [00:44:08] Speaker B: Pop quiz, asshole. [00:44:09] Speaker A: It's not even like that. It's more of, like, a group project or your group. It's a group project that you're like, fucking. I wish Miles would show up, I'll fuck him. I'll do it myself. And then the teacher just comes in like, all right, everybody. We'll just have Miles present it. You're like, motherfucker. [00:44:25] Speaker C: Stand up in front of the class, Miles. Try to be nice, everyone. [00:44:28] Speaker A: That was one of those. [00:44:30] Speaker C: And it's one of those. Rap to drop, too, Burdon. [00:44:34] Speaker A: Yeah. Just like, okay, here we go. Stop what you're doing. Like, I hear today and I'm like. I like, look around. It stops me in my track still. But then another song that for some reason I don't like, because it's not that I don't like it, I just don't know why it stuck in my head is I think it's industry, baby. Little Nas X. [00:44:55] Speaker C: It's another loop song. [00:44:56] Speaker A: Yeah, that song. Have you heard that song? I think so. [00:45:03] Speaker B: Is that the one where the devil's giving him a lap dance? Is that different song? [00:45:07] Speaker A: He's always given him a lap dance. [00:45:08] Speaker B: That's every song. [00:45:10] Speaker A: I think he has pants where there's just a little devil on the crotch and, like, you wiggle, it just spins around like a chain. But I believe that's that song. But, yes, that instrumental is just. And I think it's because he made some type of money on the NNBA picked it up at one point. The NFL picked it up at 1 March Madness picked it up. They were just like, this is the song. [00:45:33] Speaker C: I mean, it's objectively good. It's, like, really good. The first time you hear it, you just don't need the repeat. And unfortunately, we got the repeat. [00:45:43] Speaker A: We got the repeat. That wasn't my hype. What's the song that makes you, like. [00:45:50] Speaker B: For a long time, it was the Beatles Birthday song because it reminded me of going to school. It'd be early ass in the morning, and KSMB, the local pop station, would be like, all right, the birthday sign. [00:46:04] Speaker A: Everybody get up. [00:46:05] Speaker B: It's like 07:00 in the morning. Hated it. I could listen to it now, but honestly, it took 30 years for me to palate that song. [00:46:17] Speaker A: Yeah. You know what was crazy is, up until I think it was 2014 or 15, the Happy Birthday song was licensed and no one could use it. [00:46:28] Speaker B: That's true. [00:46:29] Speaker A: And I remember the first time I heard somebody sing Happy Birthday on television. It was like this weird, out of body experience, because that was something that if you watch television and they had to sing a birthday song, you couldn't wait to see what they came up with because they couldn't sing the birthday song. [00:46:45] Speaker C: Watershed moment. [00:46:46] Speaker A: Yeah. [00:46:47] Speaker B: Now we can sing it right now and don't pay shit. [00:46:49] Speaker A: Yeah, we free, baby. We have a lot of licensing issues with this episode. Yeah, let's not talk about it. [00:46:58] Speaker B: Golden calculator to divide. [00:46:59] Speaker A: Yeah. Never again. You know, it's never going to happen again. It's just going to be flutes and air. Right. You see? [00:47:10] Speaker C: And that's the genius of Andre 3000. He's showing you a way to do a show without licensing issues. [00:47:15] Speaker A: Yeah, because he's never going to play that song ever again. I didn't practice it. I didn't write anything down. Here we go. [00:47:23] Speaker B: One take. [00:47:24] Speaker A: Here we go. [00:47:25] Speaker C: I think for my childhood, the main song was. [00:47:29] Speaker A: That was your favorite one. Mine was a little light. I was like, yeah, that was mine. Little light trumpet. [00:47:36] Speaker C: They kind of go together. Let's try a little harmony. [00:47:43] Speaker A: Do you think you can hum the tune to the calm caller for the Mighty Morphin Power Rangers? Do you remember the tune that would play when they were getting called by Green Ranger? [00:48:01] Speaker B: Yeah, that's much better. [00:48:02] Speaker A: Do you remember what that was? [00:48:05] Speaker C: I was filling out college applications. [00:48:07] Speaker A: Okay, maybe our producer needs to do a little more research on our guests. [00:48:16] Speaker C: That's funny. No. [00:48:22] Speaker B: Yeah, that was it. That's the one. [00:48:26] Speaker A: Because I know there's a lot of things that stick in our heads that will never get out. That's just the way it is. [00:48:32] Speaker C: Okay, finish. [00:48:32] Speaker A: Things will never be the chair. I have the power. All right. There you go. [00:48:38] Speaker C: You see? [00:48:39] Speaker A: But I don't even know what that's from. You don't know what that's from? [00:48:42] Speaker B: He man. [00:48:42] Speaker A: That is Heman. I don't know why I just said it because, you know, as I know, it's buried in there. That's fucking crazy, right? That really blew my mind a little bit. Yeah. So there is a song that I've never been able to find. I'm not sure if you know it. And I'm not sure if it really goes walking down or if I just. You're a kid. You hear something, you just mispronounce it for the rest of your life. Yeah, it's usually it. There was a song that was like, walking down. Walking down. Walking down broken glass. [00:49:19] Speaker C: Oh, come on. [00:49:19] Speaker A: Not walking on broken glass. [00:49:24] Speaker C: Is that it? Walking on broken glass. [00:49:28] Speaker A: Oh, my God. I got to call my brother. Dude. My brother have been, like, trying to figure this out for 20 years. One of that is literally it. [00:49:35] Speaker C: I was playing in my mom's house on daily rotation. [00:49:37] Speaker A: I was walking on Broken Glass. Yeah. [00:49:40] Speaker B: One of my Annie lynch one of my Annie Linux. [00:49:43] Speaker C: Annie Linux. Annie Linux. [00:49:44] Speaker B: One of my good friends back home, Kason, he put that on a workout mix once. [00:49:49] Speaker A: Oh my God. [00:49:51] Speaker B: He's still. Whatever he talk about, he's like, yeah, I'm working out. Listen to Annie Linux. It's like, how did this end up on here? I like it. I like the song. [00:49:59] Speaker A: I can't wait to listen to that song. When I broken Glass. Yeah, I remember. Yeah, that was one of the songs that we would listen to. Walking to third grade, up the hill. We get dropped off and we had our tape. So I remember I used to record the radio. Yeah, I used to make my own mixed tapes. [00:50:22] Speaker B: Me too. Yeah, I think there's probably a tape with Nookie floating around somewhere there. I recorded live when it premiered. [00:50:30] Speaker A: I didn't wear my hat. [00:50:31] Speaker B: You did not wear your durst hat? [00:50:32] Speaker A: I did not wear my hat. Never agreed. [00:50:34] Speaker C: That reminds me, the teachers would take us on field trips, and to keep us in line, we would all sing Kokomo together. Beach Boys. [00:50:40] Speaker A: Yeah. Oh, shit. [00:50:48] Speaker B: Montego. [00:50:48] Speaker A: Yes. I remembEr. I didn't even realize it wasn't a real song, but I think it was Steve Martin's move. Like an Egyptian walk. [00:50:57] Speaker B: Like, there's walk like an Egyptian. And then his was King Tut, which is got a condo made of. [00:51:05] Speaker A: That's like. I didn't remember that wasn't a song. [00:51:09] Speaker B: It was just like an SNL. [00:51:10] Speaker A: Yeah. [00:51:11] Speaker C: So good. It should have been. [00:51:12] Speaker A: It was really good. All right, so before we move on and take our next break, are there any artists out there making music specifically for kids that you're a fan of right now? I'll tell you mine, and I think I've brought it up before, if you haven't heard his name, PJ Panda. [00:51:31] Speaker B: You mentioned him before. [00:51:32] Speaker A: Yeah, man, his shit bangs, man. For those of you who've not heard of PJ Panda, it's literally nursery rhymes all trapped out. He just made his own trap version of nursery rhymes. [00:51:43] Speaker B: Yeah, on YouTube. There's Gracie's Corner, and it's like nursery rhymes. [00:51:51] Speaker A: Like a jujitsu class. [00:51:52] Speaker B: No. So they're all fun. But one of the songs is like Big Frida singing Row Row Row your boat. It's very similar vein. Or like, it's black. They're all black. [00:52:02] Speaker C: They're very black for that urban cred on it. [00:52:06] Speaker A: You just said big Freeda. I started bouncing in my. I remember. [00:52:12] Speaker B: I do have a big Freeda impersonation, but only because I worked on the show. [00:52:15] Speaker A: Yeah. [00:52:16] Speaker B: She goes, hi, Gricy. [00:52:19] Speaker A: Hi, Big Frieda. That is way better than your Cosby. [00:52:26] Speaker B: It is just those two words. Big Frida. [00:52:30] Speaker A: That's it. [00:52:31] Speaker B: And you already know. [00:52:34] Speaker A: That was one. [00:52:35] Speaker B: Of the most fun shows to work on. We did that New Orleans first season. It was great. [00:52:38] Speaker A: That sounds awesome. [00:52:39] Speaker B: Going to bounce shows for work was awesome. [00:52:42] Speaker A: That sounds like a bucket listing I'll never be able to fulfill, but that's the greatest thing I've ever heard. [00:52:51] Speaker C: I know we're both fans of Snoop's album. [00:52:53] Speaker A: Snoop's album. Yeah, right. That affirmation song hits. And it's really nice to sing with your kid because they get into. [00:52:59] Speaker C: Yeah, yeah, absolutely. Up in the PNW. Casper Babypants. [00:53:04] Speaker A: Casper Baby Pants. [00:53:05] Speaker C: Former rock star from. [00:53:07] Speaker A: What was it? [00:53:07] Speaker B: Queens of the Stone Age. [00:53:08] Speaker A: President. [00:53:08] Speaker B: The President of the United States of America. [00:53:11] Speaker A: President of the United States of America. [00:53:12] Speaker B: Of the Peaches fame. [00:53:15] Speaker C: Peaches. He's now giving Peaches to kids. [00:53:20] Speaker A: Pause. Get on and up. [00:53:21] Speaker B: We heard it as a healthy snack. Let's move on. [00:53:24] Speaker A: Too close. All right. Cupoops. You know what I mean? You know what I mean? Peaches and cream. Nobody gets your cups joke here. I know. [00:53:33] Speaker C: It made me feel better. [00:53:37] Speaker A: All right, so this is a hypothetical. What artist do you think could make a children's album that would be like absolute fire right now. I already know mine. It might be cheating. [00:53:47] Speaker B: Well, I mean, it's like name of the show. But Andre 2000 had a kid show for a second. He had a kid show in between albums. [00:53:55] Speaker A: Yes, he did. [00:53:55] Speaker C: Absolutely. Andre the thousand would kill a kid's album. [00:53:59] Speaker A: I don't know why he didn't do that. Right? [00:54:01] Speaker B: He's probably still got it somewhere. [00:54:02] Speaker A: I mean, this one could be a kid. I could play this for my kid. [00:54:05] Speaker C: To go straight to hell to sleep. [00:54:07] Speaker A: Yeah. He will not move. He'll just be in a trance. [00:54:11] Speaker C: What is that album that has all of the pop music flipped to nursery rhyme Ding dong ding. [00:54:18] Speaker A: The Kids Bop? [00:54:20] Speaker C: No, not kids Bop. It's like, literally the sleepy time nursery. [00:54:26] Speaker B: Like, rockaby Baby, rockaby Baby might be the artist. [00:54:30] Speaker A: Yeah. [00:54:30] Speaker C: And they take every song ever and. [00:54:32] Speaker A: Just turn it into, like, the Nighttime Chime. [00:54:34] Speaker C: Nighttime chime music. [00:54:35] Speaker B: I have some Iron Maiden and Black Sabbath, like, lullabies from, like, when the kids were little. Yeah. [00:54:48] Speaker C: But no. Anderson Pac. [00:54:50] Speaker A: Anderson Pac. I was going to say Bruno Mars. [00:54:52] Speaker C: Would fucking Kill Silk Sonic. [00:54:54] Speaker A: Silk Sonic would kill a fucking kid. [00:54:55] Speaker C: Kill a kids album. Yeah. [00:54:58] Speaker A: Now, before this last thing, this last question I had, because I remember growing up with a certain, like, a good mix of rock and roll, hip hop and pop. That's just the way it was in the cultural background that we had and where we were listening to a lot of African music. But new rock? New rock for, like, does that exist? Am I tripping? I'm being ignorant. Is there new rock and roll music. [00:55:27] Speaker B: Out there you don't hear on the airwaves? But, yeah, there's still people making rock and roll music. [00:55:32] Speaker A: I know there's still people making rock. There's still people making newspapers. I know that's happening. I'm just saying. I remember trying to find, a few weeks ago, trying to find some of the upcoming rock and roll artists and some of the songs are from the top five were, like, people that have greatest hits albums or that have been making music when I was in school. Yeah. And that was one thing I wanted to kind of mix in. When I have my home mix, it's everything they got. Red Hot Chili Peppers, Roddy Rich, Madonna, two chains. Like, it goes all over the place. But I can't find anything current. So I want to ask the DJ and my white friend. [00:56:24] Speaker B: Hi. [00:56:27] Speaker C: My resident White Rock expert. [00:56:31] Speaker A: Yes, he's my rock and roll friend. All right. [00:56:34] Speaker B: He listens to Fish recently, too. [00:56:39] Speaker C: We've recently recently Fish session. So stamp his card. [00:56:47] Speaker A: Won't see it, bro. All right. [00:56:50] Speaker C: No, I mean, I've packed dance floors to, like, she wants revenge, Queens of the Stone Age. But, I mean, this is all music from 510 years. [00:56:58] Speaker A: Yeah, that's what I'm saying. I was trying to look at. Even trying to find new rock. I try to find new rock or upcoming, all these playlists that are made or anything. It's just like, best rock of all time, best rock and roll to get the party started. And it's just like, shit. That I already know one of my. [00:57:18] Speaker B: Best friends back home, Johnny, he's a musician and he does this. I think it's a fucking psychopath thing. But it's also amazing. He's a runner, too. And every day he runs to a new album he's never heard. That's kind of like. He's always been my retention of new music. So I'd have to ask him, what new rock songs do you like? [00:57:36] Speaker A: He's going to be like, nothing. Yeah. [00:57:38] Speaker B: But, yeah, that blows my mind. I could never listen to new music and do a physical. [00:57:42] Speaker A: I was going to say, I couldn't run. [00:57:47] Speaker C: My gosh, an hour and 20 minutes. [00:57:50] Speaker A: I tried to run up the stairs the other week. Laid out. Laid out. [00:57:53] Speaker C: You wouldn't make it through a twelve. [00:57:55] Speaker A: Inch, dude, man, my back is starting to cramp up right now just thinking about it. Booster seats. Yeah. Okay. We say we wouldn't talk about the booster seat. All right? I diDn't say a word. [00:58:07] Speaker B: I was waiting. [00:58:08] Speaker A: All right, you know what? We're going to take a break. So we talk about ethics here on the podcast. Rules to this. Yes. All right. It's not a booster seat. The cushion booster. And, ladies and gentlemen, we are back. Thank you so much for sticking around. If you've made it this far, you know what time it is. It's time for our favorite segment, Papa's Pulp it. For those of you who are just joining us, Papa's Pullman is a segment where we rant about something we love or we hate. We just go in on it, kind of like what grinds our gears. We're old men. We want to let off some steam. So today, me and Ben are going to talk about things that are growing up. And since we got wes here, you're going to be our. [00:59:03] Speaker C: I'll be the voice of reason. All right? [00:59:04] Speaker A: You're going to be our mediator. Just let us know. You either sign an offer or saying shut up. Okay. I'm going to go ahead and pass the imaginary pulpit over to Bennett. Bennett, tell us what's on your mind. What's been irking you? Yeah. [00:59:16] Speaker B: Well, it's not really irking me. So I've come to the conclusion. You know the phrase separating the art from the artist? [00:59:22] Speaker A: Oh, yeah, we try. Yeah. [00:59:24] Speaker B: So, Michael Jackson, one of your favorites. [00:59:27] Speaker A: Jesus. [00:59:27] Speaker B: One of everyone's favorites. [00:59:29] Speaker C: Tear down MJ. [00:59:30] Speaker B: No, I'm not. Because I've decided that there has to be a line in the sand somewhere where he's making music. He makes thriller. Somewhere between bad and fucking. The one with his face, his eyes on it. What's the name of that album? [00:59:44] Speaker A: Black and White. [00:59:45] Speaker B: Yeah, what's that? Name of that. Is it black and White? What's the name of that album? [00:59:47] Speaker C: History. [00:59:49] Speaker A: Yeah, well, history is the one where he's standing like a statue. [00:59:52] Speaker B: He's way too far in the weeds for think, you know, thriller. You're good. Bad, you're probably good. [00:59:59] Speaker A: Anything dangerous? [01:00:00] Speaker B: Dangerous. Dangerous. He was very dangerous at that. [01:00:04] Speaker A: There's a reason. [01:00:05] Speaker B: So, I think for me, personally, I'm good with Thriller. And before okay and dirty, Diana could still toss in that mix. [01:00:14] Speaker A: Mean. [01:00:14] Speaker B: So I think he probably was fine up until that point. And then fame probably ate him alive from the inside. He started collecting weird stuff in his Neverland ranch. [01:00:23] Speaker A: Okay. [01:00:23] Speaker B: So I'm fine living with those albums knowing that I'm in the moral right. I remember the music video for Black and White. The music video for. Remember the. Stop what you're doing. Watch it on TV. It's big moments. Throw them away. I can't have them. I can't have them because I know, you know, he was up to some shit at that time. [01:00:47] Speaker A: All right, so wait, because bad was between thriller and dangerous? Yeah. So is that one that you're like. [01:00:53] Speaker B: No, I think you can listen to half a bad and still be. [01:00:58] Speaker A: Just like. I can't listen to Speed Demon and think that. All right, he's not touching. He's not looking at little Bun. [01:01:05] Speaker B: No, the one where he's like, the music video where he's kissing Lisa Marie that whole time. He's like. He's way in it. [01:01:11] Speaker A: Okay. [01:01:14] Speaker B: He's trying to prove a point at that point. [01:01:17] Speaker A: Okay. [01:01:17] Speaker B: Yeah, that was definitely a know. So, hey, we're still good. [01:01:21] Speaker A: Okay. [01:01:22] Speaker B: He made thriller. I got thriller, I got off the. [01:01:24] Speaker A: Wall and half of. Half of. [01:01:26] Speaker C: Okay, so, fun fact, I don't know if this informs your decision where you're at, your life choice on MJ's trajectory, but I actually met him in the studio during his, when he was recording Dangerous again. [01:01:43] Speaker A: How old are so pretty old? All right. I'm not going to get into it. [01:01:48] Speaker C: I'm not going to say how old I am, but I will say if. [01:01:50] Speaker A: He did what he did, I was. [01:01:52] Speaker C: Right in the sweet. [01:01:54] Speaker B: He would have been his type, I'm assuming. [01:01:55] Speaker A: Yeah, please don't call it a sweet spot. I'm just going to put it out there on record. [01:02:05] Speaker C: He was a gentleman. [01:02:10] Speaker A: No, he was super cool. [01:02:13] Speaker C: I didn't get to see the ranch or anything those boys are talking about, but I'm just going to say it was cool. [01:02:22] Speaker A: Have you been to the ranch? [01:02:23] Speaker B: I have been to the ranch. [01:02:24] Speaker A: You've been to the ranch? [01:02:25] Speaker B: Because my aunt was friends with someone in his camp. He was not in the country at the time, but, yeah, I could see why kids love. It was an amazing experience. [01:02:33] Speaker A: He always got to tell people he wasn't around. [01:02:37] Speaker B: I mean, I'm sure he had cameras everywhere, but he wasn't physically there. [01:02:41] Speaker A: He's just like, look at that big one pass. [01:02:48] Speaker B: No, I mean, two story arcade, all free movie theater, free candy, Ferris Wheel, all the carnival rides you could want. [01:02:54] Speaker A: God damn, I'm so bummed. [01:02:58] Speaker B: All this, like, go carts were modeled after real cars. [01:03:01] Speaker A: That's cool. [01:03:01] Speaker B: Yeah. It's a very memorable experience that I couldn't talk about for a long time because the jokes would be flying. [01:03:11] Speaker A: All right, well, thank you for sharing. Yeah, I get it. I understand. Which half of the Bad album, though? [01:03:19] Speaker B: Like side A? Let me look at the track. [01:03:24] Speaker A: All right, let's fill in the track numbers right here. All right. This is the bad album. All right. Yeah. [01:03:31] Speaker B: Man in the mirror, bad, dirty Diana, smooth criminal are all on the. Yeah. [01:03:36] Speaker A: Dude, are you leaving? Leave me alone. And Liberian girl alone. Okay, so it's just smooth cream. [01:03:47] Speaker B: I can also leave off Ebony and Ivory from fucking. From thriller, too, for getting in nitty gritty, but sure. [01:03:53] Speaker A: Just good friends. Another part of me, dude. Another part of me. Captain Eo, you sleeping on Captain Eo. Angelica Houston, fighting alien. Come on, bro. [01:04:05] Speaker B: Come on. [01:04:05] Speaker A: Jim Hansen and Michael Jackson at Disneyland. Oh, my God. They had him at Disneyland during this album. Okay. All right, we're moving on. Well, thank you very much for sharing. I don't know if you agree or if you're endorsing his picks, but I. [01:04:25] Speaker C: Can live with his side of the album. [01:04:28] Speaker A: I say go for it. It's all clean. [01:04:29] Speaker C: All right, good. [01:04:30] Speaker A: Well, thank you so much for sharing. So I'm going to scooch the pulpit over my side. I'm going to make mine very quick. It's a oldie but a goodie, but I'm coming after Disney again. So we all know that they're making Snow White and the seven diversity hires, and we're not stoked. It's just a cash grab. They're remaking some shit. They're like, oh, no, this movie that was made a hundred years ago isn't reflective of the people today. Right. So make a new one. You think you run out of fucking princess. We need another white princess. Just going to make her a little darker or actually make her white. But the person playing them has an ethnic last name. Whatever, it doesn't matter. [01:05:11] Speaker C: Polynesians can be dwarfs, too. [01:05:13] Speaker A: Yes, pygmies, as you would. Okay, that's my bad. That's my bad. That's my bad. That's my bad. That's my bad. All right, so anyway, my true points, they're making a live action Moana, and Rock is going to play Maui, the character he voiced. Moana came out in 2016. [01:05:44] Speaker B: The why is because there's money to be had. [01:05:47] Speaker A: Yeah. There's no way it's going to be good. There's no way you could take Moana, make it live action with the way they treat VFX houses now and say it's going to be good. Like, imagine the Rock with, like, a unibrow. [01:06:03] Speaker B: That's the thing is the Rock isn't as charming as the Rock. [01:06:08] Speaker C: Like, shouldn't they have hired Momoa? Wouldn't that have been Jason? [01:06:13] Speaker A: Momoa would have been a better fucking hire. Like, he's a better actor than the Rock. [01:06:18] Speaker B: But I do want to see Boba Fett or Django fet as her. [01:06:26] Speaker A: All right, so here's my question. This is my question here. We know how Disney be sleeping on VFX. Like, they're just like, pump it out. So with this one, I just don't see how it's going to be better. A better story. Like, with some no name actress that they're going to hire to be Moana and be like, look, we did it, right? She's from there. Oh, what's there? The magical island we made. She's from there. [01:06:58] Speaker C: She's an ocean. [01:06:59] Speaker A: Like, the Rock is Samoan when he wants to be. And so this is going to be great. Wicked, part two. I am not really stoked on what Disney's is going to be doing in the next couple of months. A couple years. Couple months. But anyway, that's my main complaint, is that this is blatant. I think that us, as an audience, we need to condition these studios that we give buckets of money to how to treat us. And they can't just treat us like garbage. We are the consumer. We could say that this is garbage. And hopefully they don't do it again. But people are going to go take their kids to see it because it's, I believe, air conditioned room to be in. [01:07:40] Speaker C: They screamed that when the Marvels came out, right? [01:07:43] Speaker A: Yes. [01:07:44] Speaker C: Didn't they say no? [01:07:45] Speaker A: Yeah, they're like, no, please don't do that. And they did it. [01:07:51] Speaker B: I think they haven't gone far enough. I want to see live action cars. I want to see Toy Story. I want to see live Action Monsters, Inc. [01:07:59] Speaker A: I just think it's a very bad move to take Pixar and make it live action. [01:08:04] Speaker B: No, I think it's a great, terrible idea. [01:08:07] Speaker A: Watch. [01:08:07] Speaker B: I want to cry all over again. [01:08:09] Speaker A: With up soul next year with Jamie Fox. [01:08:14] Speaker C: But if you're going to do that. [01:08:15] Speaker A: Isn'T your only cars. Betty over here wants to see cars two. Just cars two. [01:08:20] Speaker B: Where? [01:08:20] Speaker A: The only cars movie. Where cars get fucking murked, by the way. I don't know if you guys remember cars two. [01:08:25] Speaker B: Cars two is wild, dude. [01:08:27] Speaker A: They killed, like, seven characters in, like, the first 30 minutes of that movie. [01:08:31] Speaker B: The Bruce Campbell car dies? [01:08:33] Speaker A: Yes. [01:08:33] Speaker B: They just destroy him. Tortured Evan? [01:08:38] Speaker A: Yeah, they tortured him. Like, just tell me, is this the American? And then they ran his engine. You watched it explode. My son's not a fan. [01:08:47] Speaker C: He's not a fan of that one. [01:08:48] Speaker A: Ozo doesn't like. He's a cars three guy. [01:08:51] Speaker B: Yeah, cars three is more fun. Yeah. I always skip the cold open for cars two and jump right into when Mater is being. Mater. [01:08:57] Speaker A: Yeah, more. [01:09:00] Speaker C: But if you're going to make Moana and you need a Samoan actor, that kind of tells us how many famous Samoans we have in Hollywood. [01:09:08] Speaker A: Doesn't mean the entire family of the rocks are wrestling. They don't saw the. I didn't nearly know this. I know you knew this, Bennett. You knew this. I looked at the Rocks Family Tree and wrestlers. I had no idea related to the rock. Like his uncle, I had no idea related to the rock. It goes all the way down the list. They have a monopoly on that shit. It's kind of nuts. [01:09:34] Speaker B: You got Roman reigns and the Usos in that family. You got Naya Jax. There's a bunch of wrestlers, Simone. Wrestlers. [01:09:41] Speaker A: It's crazy, but yeah, I just. Making a Pixar movie. They have another Pixar movie coming out called Wish and that one. I don't want to talk shit, but that might be another strange world. It might be another whomp womp. I don't know, I might be wrong. I have no idea what it's about. I've just been seeing different. [01:10:07] Speaker B: Is Hamilton doing the music again? [01:10:08] Speaker A: Yes, he is. Yes. Maybe President Hamilton. [01:10:12] Speaker B: Hamilton knows how to write a song. [01:10:13] Speaker A: Yeah, he does. [01:10:15] Speaker C: He just needs to stop putting himself in the movies and then I'm all for it. [01:10:20] Speaker A: Well, that's what people said about Shyamalan there. You put himself in his movie. [01:10:25] Speaker B: Yeah, he's in everyone. [01:10:26] Speaker A: He's always like the weirdo reveal, too. In the Village, he's like the first person they see when they get out of the village. Spoiler alert. Yeah, on old. Yeah. For those who haven't seen it, old. Same thing. Another spoiler alert. He's like the doctor that's observing. Like the guy who's observing them. He literally can be a guy holding a tray. He doesn't have to have a speaking part, but he committed. He made it his sign off. That is his trademark. His watermark is look at me, look at me. I'm a very small but integral part of the story. But, yes, that's my shit. That's my pulpit. I don't think Pixar should be a live action. [01:11:15] Speaker B: I say all of them should be live action. [01:11:17] Speaker A: Starting tomorrow. [01:11:21] Speaker B: I want to see it. Owen Wilson in red Face paint. [01:11:24] Speaker A: Oh, my God. I don't have time to unpack that right now. Owen Wilson in Red Face. You really want to see Tim Allen in a fucking space? [01:11:39] Speaker B: Do I want to see old ass Tom Hanks walking around talking about a snake in his boot? [01:11:44] Speaker A: Yeah. [01:11:46] Speaker C: Sandy guns. Tommy guns. [01:11:48] Speaker A: Yeah. Okay. Well. [01:11:53] Speaker C: Wes, it was a. I, uh. I guess I'm just not as mad as you guys. I wish I had a pulpit, but pretty easy going, dude. [01:12:02] Speaker A: You know what? [01:12:02] Speaker C: It was nice to hear you guys speak up. [01:12:04] Speaker A: You know what? Bennett and I have bonded off talking shit for a long time. Very opinionated about very things that you don't need to have an opinion about. [01:12:14] Speaker B: Those are all my opinions. [01:12:16] Speaker A: Well, ladies and gentlemen, this is Papa don't preach. Big shout out to our producer, Blaine Pierre Aaron Mosau, and DNA do our music. I'm here with Bennet Miller and DJ West Wonder. Real government name. Anyway, guys, this is Papa don't preach. Thank you so much. Follow us. Subscribe. Listen, send it to a friend. We'll see you all next weekend.